Coldplay - Mylo Xyloto
I
wasn’t sure what to expect from this album. Having not particularly
been fond of their last album, I had all but given up on Coldplay to
self-praising arena rock stylings. My interest was piqued when they came
out with the decidedly dancier Every Teardrop Is A Waterfall.
I liked the song...didn’t love it. But I definitely liked it. Then
rumors of further electronic influences and a Rihanna feature began
surfacing...and I was back in Chris Martin’s corner. (It does of course
help me to like him knowing he is friends with Beyonce...girl has good
taste!!)
Having
listened to the whole thing for a few weeks now...I have to go with my
first reaction to the album: LOVE. IT. Here’s the thing, haters: I get
why you don’t like Coldplay in general. I get why long-time fans don’t
like this album specifically. I GET IT. But here is the other thing: you
are completely wrong. And here is why.
As
the dust begins to settle just a little bit on the Europop storm that
we have had to sit through for the last few years...it is obvious that
we are not done with dance music. BUT...I think many people are looking
for dance music that is perhaps not so repetitively high-energy. Perhaps
we are getting a little bit sick of being told to put our hands in the
air every minute of the day. My arms are tired, tbqh.
So
it makes perfect sense for a huge band such as Coldplay to take their
generally depressive yet large sound, and apply some electronic power to
it.
And while this whole thing seems a bit bandwagon-y...once I heard
the finished product it made even more sense. Coldplay has, with this
album, taken a small step back towards the bands they used to be
compared to such as Sigur Ros and Radiohead, and a little further from
that other band they have been compared to since Viva La Viva: U2. And I
think this is important for them to do because they will never be the
type of band that U2 is (thank god...hate that twat Bono).
They
are, however, quite talented at creating lush soundscapes and beautiful
melodies. It has always been their forte, even back when they were a
mostly piano based band. Tracks like Paradise and Charlie Brown maintain their big sound, but it’s been a little bit since we have heard Chris Martin sing as tenderly as on stand-out Us Against The World. Then, of course, the pièce de résistance is easily the Rihanna assisted Princess of China.
One of Rihanna’s greatest qualities has always been having an
effortlessly cool progression to her vocals, and she brings that to the
table on this track. Once her first chorus kicked in, I knew it was
something special.
Overall,
I am happy that Coldplay decided to get into this lane and make some
more electronic based music. I am even happier to say that this isn’t
just one of the pop releases or the more interesting electronic releases
of the year...it is one of the best albums of the year, period. You
almost lost me for a bit there Coldplay...but I am quite happy to be
back.
Rating:
5/5 Wigs Snatched
5/5 Wigs Snatched
No comments:
Post a Comment