Tuesday, April 10, 2012

My Relationship With Madonna


Here's the thing: I am a Madonna stan. My relationship with her as a musician has been long and complicated. I remember loving her as a kid, replaying my casette single of "Take A Bow" and stealing my sisters' Madonna albums to listen to. Obviously, as a little boy, Madonna was not the look. Especially where I lived, it was either hard rock or rappers for guys my age. That was all it was okay to listen to. Not that I wasn't already being called a faggot by the 6th grade repeatedly...but I had wormed my way into the popular guys' group anyway by being just different enough to be interesting and being relatively okay at sports, and I certainly wasn't going to give up that victory by singing Like A Prayer in the halls. Especially not in a Catholic school.

But I still remember making sure I was in my room every night as a 13 year old in case Frozen came on the radio. It was my favorite song for years. What was shitty was that unlike Britney, Christina and JLo...I couldn't even act like I watched Madonna's videos because she was "hot." Even then, Madonna was getting a bit old. Even then she was having one unlikely comeback after another, and was being deemed irrelevant for the younger, hipper pop princesses. Even then, every triumph was asserted as a last hurrah.


Still, I kept with her. It didn't matter that I had to like her clandestinely. Being shocked and excited watching her "Bedtime Stories" era. Having Evita captivate me as the first musical I truly loved. I would do my homework while listening to "Ray Of Light" on repeat. I would play video games to "Music." I tried and tried but lost a little bit of touch with her during her radical "American Life" days but fell in love all over again when "Confessions On A Dance Floor" was released. Of course, by then I had come out as gay and it was not only okay to like Madonna...it seemed expected!

And she certainly made it pretty easy, didn't she? Surviving scandal after scandal, only to come out of the end even stronger. Outliving and outdoing all of her competitors of the past. From Cyndi Lauper to Debbie Gibson, Michael Jackson to Janet Jackson, Mariah Carey to Christina Aguilera, Paula Abdul to Britney Spears. She has remained either more relevant or more successful than every pop star in her way. It doesn't really matter that Michael was more successful at one point or that Whitney was more talented or that Britney had more initial success...because in the end Madonna is the only one who has truly endured.

Reaching records that legends like Elvis, ABBA, Barbra Streisand, and The Beatles have set, and continuing to pass them, Madonna's sales and records broken are almost unparalleled. She has had arguably the biggest pop culture presence of any female in modern history. And all of this while being wildly controversial and risky in ways that have ended others' careers. It's hard not to root for a survivor.


So, what has happened? Even as I slowly started to accept that as an aging dance artist with a history of subversive behavior and shock tactics that the mainstream may lose touch with her a bit, I just thought it was expected that as long as she continued to churn out strong dance music that nostalgic females, gay men and dance enthusiasts of the younger generations would continue to respect and enjoy Madonna. Every new generation of pop stars certainly do. Justin Timberlake, Kanye West, Britney Spears, Nicki Minaj...just a short list of those who have worked with Madonna and raved about what an experience it was. Beyonce, Lady GaGa and other pop queens have all openly talked about how Madonna's career and music helped shape the artist they are.

So, as we go forward into Madonna's 12th studio album, "MDNA"...I feel disheartened by the amount of disdain and apathy when it comes to our Queen of Pop. When there was widespread backlash and critical pans for "Hard Candy"...I could at least understand it. The urban-pop-minx image of that album never felt truly authentic. Her reliance on past-their-moment producers Timbaland and Pharell for the sound and her work with Justin Timberlake and Kanye West for the cool factor didn't just feel inappropriate...it felt dated. While I maintain that there are more than a few stellar moments on that album, I could at least sympathize with the haters.


But here is Madonna not only returning to the dance floor the way she always has, but bringing of-the-moment and classic collaborators together. Brilliantly referencing old work of hers, while pushing farther into new sounds than she has in years. Creating a diverse but cohesive work of dance music...something that she does best. At the core of all of her reinventions and stunts, it has always been dance music. Dance music that sounds like the current trends but with that special Madonna touch. Sometimes it set new trends...other times it simply set her apart. Some of her best work hasn't been groundbreaking..but it has been consistent.

What's wild is what the detractors have thrown at her. Let's examine some of the more popular ones, hmm? Some say she is too old to be dancing and making the kind of music she does, simply because their is no convention for a female pop star to make it this far. As if at the age of 40 one must release the desire to have fun and dance be heard. Why should she submit to age limits when she hasn't responded to any of the others such as sexual limitations, religious reverence, or political discourse? Others claim that she is copying GaGa and Britney to stay relevant, missing the fact that all major artists draw from other artists' sounds and inspiration, especially in the modern age when new music trends are available at inception via all of the many internet media tools. There are few major artists in the world that aren't using dance music to a degree...why should Madonna be the exception, especially when dance is always the world she has inhabited? And I won't even begin to address the tired and often petty commentary on her personal life or attitude, especially when her contemporaries are so rarely questioned for worse behavior.



However...in the end Madonna is simply a pop singer. Sure, she has swelled to more than that in culture, but she is just an entertainer. If you don't like her music, then fine. Let's agree to disagree. But so many criticisms seem to lose sight of what makes Madonna the artist that she is. What has let her endure and appeal to so many generations and in so many guises. Which is that Madonna, more than any other pop star, is the most relatable.

Madonna is and has always been a contradiction. She is the Queen of Pop, and yet she is one of the most openly humane pop stars we have. She is deeply religious but a Church-condemned harlot. She has a hardened public personality but advocates for love and world peace in her performances. She is widely beloved, but also widely despised. Some say she is everything a woman shouldn't be...others say she is one of the most important feminist icons in history. And for me she has been a mostly silent but indispensable gay icon.

Madonna has endlessly winked in and out of mainstream opinion, struggling to find her place in the world while simultaneously battling herself. She loves and dances and succeeds and fails just like everyone...if on a grander scale. The gay community has always gravitated towards misunderstood underdogs, especially those with a knack for surviving. Much like the gays, Madonna has been continuously kicked down and told to change and conform...and each time she has refused and gone on to fight for what she is and the things she believes in. Where so many gay icons have failed to continue to win against the public or their own demons...how can we not continue to champion Madonna for her own determination to succeed and be heard?


At any given moment of Madonna's career, she can be found on the dancefloor with such fervor it seems like a life or death matter. The next she might lamenting her failures in love and life. Because she doesn't have a nailed down persona...she is ultimately not just the most interesting of pop stars, but also the most relatable. A chameleon not just in look and sound, but also in who she is at the core. Sure, other pop stars could be clinging to their rosary and preaching mysticism the next...but how many can have true conviction behind their actions? How many others can so completely reflect the struggles and changes we all go through in our lives?

Madonna is not a stage alter ego. She is not a performance piece. She is not a fad. She is not an industry puppet. There isn't one aspect of her music that would end her the way Whitney Houston's unfortunate vocal deterioration or Britney's diminished dancing abilities have. Madonna is little more than an American girl with a little bit of talent, a knack for working hard, and a lot of opinions. But I dare any of you to find someone with more creativity, strength, or sincerity. The sooner the public remembers what makes the Material Girl special, the sooner they can dismiss their objections and join her on the dancefloor with the rest of us.

Wednesday, February 29, 2012

Leap Day Double Sized Download Pack!


Since I've been neglecting both this and the Real Housewives blog, I decided to kick off my return with an extra full download pack for the end of February and in honor of Leap Day!! 32 of my favorite tracks from the New Year...all of them being played to death by me. A few of the more obvious ones (such as Madonna's singles) were left out because...if you don't have them then you can go straight to hell anyway.

That should get you caught up as I move into March returning to blogging! The tracklist is below...since no one will keep every song, I didn't bother putting them in any order. Leggo!

Best of 2012 So Far Tracklist

M.I.A. - Bad Girls
Carrie Underwood - Good Girl
Jennifer Hudson - I Will Always Love You (Live At Grammy's)
Cassie - King Of Hearts
Goldfrapp - Melancholy Sky
Darin - Nobody Knows
Katy Perry - Part of Me
Rita Ora - Party & Bullshit
Saint Etienne - Tonight
Kris Allen - Vision of Love (dMac Edit)
Sato Goldschlag - Mr. Mister  ft Wynter Gordon
Tyga - Muthafucka Up ft Nicki Minaj
Queen of Hearts - Moment in Love
Chiddy Bang - Mind Your Manners ft Icona Pop
Rihanna - Birthdya Cake Remix ft Chris Brown
Melanie Fiona - Change the Record ft B.O.B.
Coldplay - Charlie Brown (Dave Aude Remix)
Usher - Climax
Bright Light Bright Light - Disco Moment (ft Sound of Arrows)
Estelle - Do My Thing ft Janelle Monae
Gorillaz, Andre 3000 & James Murphy - DoYathing
Alexandra Burke - Elephant
Diplo - Express Yourself
Zebra Katz - Ima Read ft Njena Reddd Foxxx
Manufactured Superstars - Drunk Text ft Paris Hilton
Nicki Minaj - Marilyn Monroe
Scissor Sisters - Shady Love
Simon Curtis - Starlight
Nicki Minaj - Starships
Chris Brown - Turn Up The Music ft Rihanna
Jedward - Waterline
Busta Rhymes - Why Stop Now Remix ft. Chris Brown, Missy Elliot & Lil Wayne


Tuesday, January 24, 2012

Kylie Minogue Celebrates 25 Years In The Music Business


As many of you may be aware, Kylie Minogue is my favorite pop star. Sure Madonna is the reigning Queen (now and forever) and Beyonce has my wig permanently hanging in her dressing room...but Mz Minogue is the embodiment of everything I love about pop music. Her output has been consistently fun, energetic, and euphoric dance music since Day 1, and always with a great level of talent and warmth behind it.

And 25 years, amirite? That is QUITE the accomplishment. Kylie is one of the few pop stars alive who can give Madonna a run for her money in terms of longevity, success, and worldwide critical and commercial success. Of course, Kylie never quite made it in the USA, but lord knows us gays are still trying! And this year, despite not receiving a new album, the Empress of Pop has a few things planned for #K25...and so do her fans!

First up is a breathtaking look back on Kylie's videography. While I would say visuals have never been her strong suit, watching this career retrospective shows just how determined she has always been to give us spectacular dance music. Catch it below:


Then, of course, we have the rumors that Kylie will be going on an anti-tour of sorts this year focusing on rarities and stripped down versions of hits as well as the confirmation that she has been recording orchestral reworkings of these hits. With Kylie's voice stronger than ever these days, I am ecstatic to hear these versions. Today she gave us the first teaser of these recordings:


Spectacular, right?! I for one am coming out of my skin at the thought of little Kylie surprises peppering a year that will also see releases from Mariah Carey, Christina Aguilera and Madonna. And I thought last year was packed with big releases! Finally, as my own personal celebration of Kylie's 25th year, I have put together a playlist for you all to listen to below of my 25 favorite songs of hers. This is, of course, a subjective list and is obviously a little bit heavier on her post-2000 recordings as that is when I became aware of her. Also a note that it is a bit unfair that this playlist is made up 90% of dance songs when she has so much more to give...but I am a club queen and y'all will just have to live with that!

25 Years of Kylie Minogue

1. All the Lovers (Aphrodite)
2. Get Outta My Way (Aphrodite)
3. Aphrodite (Aphrodite)
4. Slow (Body Language)
5. Red Blooded Woman (Body Language)
6. Can't Get You Out of My Head (Fever)
7. Love At First Sight (Fever)
8. Fever (Fever)
9. Come Into My World (Fever)
10. Confide In Me (Kylie Minogue)
11. I Should Be So Lucky (Kylie)
12. I Believe In You (Ultimate Kylie)
13. On A Night Like This (Light Years)
14. So Now Goodbye (Light Years)
15. Please Stay (Light Years)
16. Your Disco Needs You (Light Years)
17. Spinning Around (Light Years)
18. Better the Devil You Know (Rhythm of Love)
19. Like A Drug (X)
20. In My Arms (X)
21. Speakerphone (X)
22. The One (X)
23. Wow (X)
24. White Diamond (X)
25. B.P.M. (Unreleased)


Viva La Minogue!



Tuesday, December 6, 2011

Red Dlicious' Best of November!


Red Dlicious' Best of November Tracklisting!

1) Azealia Banks - 212
2) Drake - Take Care ft Rihanna
3) T.I. - Pyro
4) Dominique Young Unique - Shake My Ass
5) Cher Lloyd - Want U Back
6) One Direction - Tell Me A Lie
7) Youngblood - Blame It On Me
8) The Saturdays - Faster
9) Madonna - Give Me All Your Love (demo)
10) Mylene Farmer - Du Temps
11) Penguin Prison - Fair Warning
12) Rihanna - Where Have You Been
13) Katy Perry - The One That Got Away (R3hab Radio Edit)
14) Sound of Arrows - Wonders
15) Little Boots - Shake
16) Lady GaGa - Bloody Mary (The Horrors Remix)
17) Kelly Clarkson - I Know You Won't
18) Fun - We Are Young ft. Janelle Monae
19) Madonna - Masterpiece
20) Sound of Arrows - There Is Still Hope


Tuesday, November 15, 2011

Album Review: Sound Of Arrows - Voyage

Sounds of Arrows - Voyage

There are certain acts in music that come out of nowhere and begin creating exciting and beautiful and instantly classic music. Of course, these are rarely the acts that get the attention they deserve, because let’s be honest mainstream music is rarely about the quality of the product. There are bands such as Sigur Ros, Royksopp, and Explosions in the Sky who are able to create immense and gorgeous soundscapes that transport the listener far, far away. There are pop acts like Robyn, Hurts, and Erik Hassle who create catchy tunes without succumbing to the mindless formula many pop artists do these days. There are even some acts who can achieve all of this and have been for years (Pet Shop Boys come to mind). And now, somewhere in between all of this...is Sound of Arrows.

A Swedish duo (obviously), consisting of Oskar Gullstrand and Stefan Storm, slowly garnered buzz after being selected as an official remix DJ for Lady GaGa’s Alejandro, a sunny rework that outdid the already amazing original. It was obvious they were a force to be reckoned with in terms of production, but it wasn’t until their debut single, Nova, that it became equally clear that they were very much their own artists as well. Taking their time to work off of this buzz and to make a strong debut statement, they took close to a year to release Voyage. I had personally kept only a marginal level of interest until the album was released, but one listen told me all I needed to know about this group.


Voyage is a true album in the way that very few albums are anymore, especially in the pop genre. By this I mean that it is one cohesive statement, masterfully pulling different sounds into one near perfect album. From the first listen I knew that this was an automatic contender for album of the year (and if you have seen the way I gush about Beyonce’s 4 album...you know this is a big statement.) On paper it almost seems like too much. Monstrous orchestral arrangements, heavenly vocals that soar through the music but never overtake it, and sparkling synths that keep the near-classical composition current and exciting. Heavenly gems are plentiful on Voyage, with a couple of the main highlights being the shimmering Longest Ever Dream and whimsical Magic.

What really convinced me of their immense talent, however, is the near 8-minute epic, There Is Still Hope. It starts out with a 2 minute instrumental build-up before breaking into a breathtaking arrangement of vocals that lasts for another 6 minutes. And yet it is such a pressing, gorgeous song that 8 minutes somehow seems way too short. As the swirling synths give  way to the chanting “You’ll come back to me! You’ll come back to me!” I am always hoping it will somehow last longer on each listen. It very much reminds me of post-rock veterans Godspeed You! Black Emperor with their 20 minute masterpieces as There Is Still Hope could go on for much longer and still feel like a perfect song. It all comes down to Sound of Arrows attention to song composition, pop sensibility, and strong musicianship. And it is for that reason that I am positive that this is not the last brilliant piece of work that they will give us.

While Voyage may lose to Bey for my album of the year title (She is my Queen, after all)...Sound of Arrows have done what very few acts in pop, rock, electronic or any other genre are able to: they created a classic debut that made good on all of the previous promise and set themselves up to become trend-setters in the genre. I am already excited to see how they will move forward with their own music, and if they will continue to remix/produce for other artists (Robyn get in on them IMMEDIATELY). Whatever their next move is...they have won a fan in me.

Monday, November 14, 2011

Kelly Clarkson Slays Any and All Live Performances


Sooo...remember a few weeks back when I posted my review of the legendary original American Idol, Kelly Clarkson's new album? And remember how it wasn't the best of reviews because I felt like it showed none of the growth, both vocally and personally, that I know Kelegend had gone through? And how I pointed out that if they had just incorporated more of her live vocals and instrumentation that this album could have been worlds better than anything your faves could ever deliver?

WELL THIS IS PROOF RIGHT FUCKING HERE!!!

On the highly anticipated Unplugged concert of Kelly's on VH1, she covered equally flawless fellow Idol, Carrie Underwood's "I Know You Won't." Now, while I have always enjoyed this song, it was never a stand-out to me. Clearly it was just in the wrong hands! On this sneak-peak of the concert, we get to watch the full performance...and it is almost other worldly it is so good. I would easily put this in Kelly's top 5 best live performances, of which there are many many good ones. She puts soul and pain into every syllable of the song, cooing delicately one second and belting with angst the next. The whole time remaining pitch-perfect and just completely flaw free.

It is the curse of the talented pop star that led me to disapprove of her latest outing. Because I knew she still had this in her, and couldn't, and still can't understand why we couldn't get this. Also, her live Smoakstack EP similarly outlines how the producers her label has working with her just don't know how to handle this angel's voice. So, if you too felt slightly let down by Stronger as an album...look no further than this performance to reassure you that Kelly Fucking Clarkson is still one of the best vocalists our generation can boast as our own. Watch below. And then keep watching. And never stop.




Album Review: Rihanna - Talk That Talk

Rihanna - Talk That Talk

I was going to wait until the Deluxe version had leaked or maybe the release date...but I think I need to get some stuff about this album off of my chest, so I am going to go ahead and do my review of the standard edition now. I will probably update the review and overall rating once the deluxe tracks leak.

So, Rihanna. The reigning bad girl of pop at the moment. The Bajan hit factory. Fashion and sex symbol. Twitter wig snatcher. More than anyone else right now (yes, even more than GaGa), Rihanna is the it-girl of pop music right now. While this may not always equate to the highest of album sales (our girl still doesn’t have a #1 album) or ticket sales (not her strongest suit), Rihanna’s endless hard work has made her a worldwide sensation and a near guaranteed #1 song with every single release. Sure, she may put out singles a little too quickly and an album every single year is getting to be a bit overkill...but for the most part, new Rihanna music is ALWAYS welcome because it is always going to be sexy, catchy, and getting us dancing. So, just as her last album, LOUD, is wrapping up, we now have her new one: Talk That Talk. After initial reviews citing it to be her most cohesive, aurally satisfying, and dirtiest album to date...I was more than a little bit excited. Let’s see if it lives up to the hype!


The album starts off with 2nd single, “You Da One”, a Carribean-fueled dance track that has Rihanna sweetly declaring her love for her man over Europop and dubstep beats. It is a cute enough song, but not quite as catchy right away as we have come to expect from Rihanna. But while this song may not quite have grabbed me the way I expected, all thoughts of it are gone when the truly spectacular “Where Have You Been” begins. One of, if not THE best dance tracks in her discography, this song takes off on a truly huge beat with plenty of synths and stuttering to keep you dancing for hours (anyone wanna put together an extended remix for me? Please? Please?!). This high-energy track flows seamlessly into the lead single, “We Found Love”, which has annoyingly grown on me after my initial claims that it was too generic to be a great track. Not saying I’ve changed my mind...just saying it doesn’t bother me anymore.

From this energetic intro into the album, we get to the title track, the more urban, and truly spectacular, “Talk That Talk.” The one feature on the album by Mr. JiggaMan himself is good and all, but honestly not so sure he adds that much to the song. It is that carefree, smooth delivery of Rihanna’s on the chorus that really perked my ears up. It is one of Rih’s greatest talents to give that cool edge to a song, and it comes out in full force here. This has been the track I have been going back to listen to the most from the album. So far so good, right? Well here is where the album sort of starts losing me.


The much talked about lyric “Suck my cockiness, lick my persuasion” along with the chattering “I love it i love it i love it when you eat it” made Cockiness probably the most anticipated song from the album. And while those little bits are hilarious and amazing...that’s really the only good thing about the song for me. It is the type of song that seems like they had these few great spare parts that they wanted on a song, so they just threw them all together on one track. It is too all over the place and I can never quite get into the groove of the song. This one is a miss for me. And the fact that the criminally cut off “Birthday Cake” manages to surpass “Cockiness” in about a third of the time is quite telling. Equally lack-luster is the semi-inspirational “We All Want Love” ballad. While I actually like the song, it is out of place on the album and is perhaps the type of song that should have gone to more of a powerhouse singer to really bring home. (No shade, I actually think Rih is a great singer. Just saying...)

The rest of the album brings it back a little bit, with the vocally strong “Drunk On Love” and “Farewell” giving Rihanna some time to shine, and the swanky, sexy “Roc Me Out” and “Watch N Learn” takes us back to the sexual nature of the album as a whole. Overall, this is a really fun album and as always I am ecstatic to have new Rihanna to strut around to. But something about it doesn’t quite do it for me. There are some seriously brilliant songs on here, but others were cut short of greatness (LITERALLY for “Birthday Cake”), and others just never quite connect in the way I was hoping they would (“We All Want Love”, “Cockiness”). Granted, with the deluxe tracks taking the place of the stinkers, my opinion of the album might change. But overall...it SEEMS rushed this time around. 


When LOUD came out, it was the perfect connection between Rated R’s “Rude Boy” success and it was the necessary change in image and sound from the dark period Rihanna had gone through. We were happy to be dancing and flirting along with her again. This time...it feels like she should have taken more time and given us something better. Also, let me point out that I am not particularly pleased that almost the entire album is done by 3 or 4 songwriters/producers. Yeah, sure, it makes it more cohesive. But it also makes it less interesting.

While there is no doubt I will be playing this album out, and possibly changing my mind about some of it the way I did about “We Found Love”...for now I am left simply wanting more.

Rating:
3.5/5 Wigs Snatched