Tuesday, May 22, 2012

Maypril Playlist!

So as I am wont to do, I never got around to posting my Best of April playlist (among other things) so I am posting a Maypril playlist now and then going to do a Pride Prep playlist at the end of the month...there is a LOT of good, non-mainstream pop music here kids, so have at it!



Maypril Playlist!

1. Icona Pop - I Love It
2. Scissor Sisters - San Luis Obispo
3. Chris Brown - Don't Wake Me Up
4. Passion Pit - Take A Walk
5. Gossip - Love In A Foreign Place
6. Scissor Sisters - Let's Have A Kiki
7. Adam Lambert - Shady ft. Nile Rodgers & Sam Sparro
8. Saint Lou Lou - Maybe
9. Stooshe - Black Heart
10. Usher - Scream
11. Sam Sparro - I Wish I Never Met You
12. R. Kelly - Share My Love
13. Santigold - Freak Like Me
14. Little Boots - Every Night I Say A Prayer
15. Cheryl Cole - Call My Name
16. Nelly Furtado - Big Hoops (Bigger The Better)
17. Erik Hassle - Stay
18. Major Lazer - Get Free ft. Amber of Dirty Projectors
19. Cinammon Girl - Friends
20. Alexandra Burke - Let It Go
21. Queen of Hearts - Neon
22. Ne-Yo - Burnin' Up
23. Scissor Sisters - Only The Horses
24. Jason Mraz - I Won't Give Up
25. Aiden Grimshaw - Is This Love
26. Santigold - Freak Like Me
27. Flo Rida - Whistle
28. B.O.B. - Outta My Mind ft. Nicki Minaj
29. Azealia Banks - Jumanji

Thursday, April 26, 2012

2012 Is Mayjah For Album Releases


Being a wanton stan, almost every year has me saying something along the lines of, "ZOMG THIS IS THE BEST YEAR FOR POP EVERRR". Usually this is just because some new Aubrey O'Day single leaked or another tragic non-event. But this year really is kind of MAJAH, isn't it guys? Maybe not for major pop star releases. Last year was destined to be THE year for those. GaGa, Beyonce and Britney were all coming back and it was going to be a bloodbath for anyone else who was trying it. And yet...none of them really performed the way they should have. Britney's albums sales were terrible. Beyonce couldn't get ANY single to chart. And GaGa had a mixture of problems, the biggest of them being her own pre-release album overhype while not delivering.

It reminded me that while the big girls are often the ones with the power to really create exciting music, it is the other voices in the pop community that often make the most innovative work, and as the releases keep being announced, I can't stop thinking that 2012 might actually be one of the most exciting years in the pop world (no f'real this time)!! While we all are obviously excited for some of the upcoming releases (Scissor Sisters, Gossip, New Beyonce singles!!), I want to take this moment to talk about the most exciting albums that have already been released...oddly there aren't as many pop albums as usual because most of them are coming later in the year.  Hopefully with this we can both come to together on albums we love and maybe even find out a few new ones! Below are my picks for best albums of the year...please leave your picks in the comments!

Emeli Sande - Our Version of Events

This year's Adele, tbh. Emeli Sande is one of the most promising singers I have come upon for quite a while. Strong, soulful vocals. A chic look. A beautiful tendency to write introspective lyrics. Not to mention uniformly rave reviews from every live performance (even getting approval from Madonna herself!). My current favorite album of the year, this one will be hard to beat by any other artist.

Santigold - Master of My Make-Believe

A fantastic melange of genres that Santigold is known for, "Master of My Make-Believe" is enough to remind the world that Santi is still one of the most exciting artists around. Yeah, she is still a bit of an MIA knock-off, but these days Maya is such a mess it is nice to have the same aesthetic on a more put-together pop singer. However, the album was not quite good enough to warrant how long it took for the album to get here...worth checking out but not as good as I was hoping.

Sigur Ros - Valtari

I love Sigur Ros more than just about any artist or band. Every album more beautiful than the next, this Icelandic post-rock band creates instantly memorable if unintelligible music. This album started out a little bit slow, feeling a bit been-there-done-that. But as it progressed it was almost overwhelming and one of the band's most impressive efforts to date. 

Nicki Minaj - Pink Friday: Roman Reloaded

The most uneven album of the year is also the most exciting. Messy buzz single releases and a schizophrenia that went beyond Her Minajesty's normal schtick, Roman Reloaded plays like 4 different recording sessions and no time put in for cohesion. Despite this very large issue, there is just enough good music on this album for it to be worth it. Raving club bangers, hard talking rhymes, and sweet R&B grooves create the backbone of Roman Reloaded and it will be enough to keep her in the game....even if it is lacking the dominance she so often brags about.

Madonna - MDNA

Here's the thing. I am aware that this album has flaws. I am aware that she could have gone in a better direction. I am aware that while she shouldn't have to, acting her age might have come off a little bit more sincere. But seriously, when has Madonna ever done what we expect of her? As I wrote last month, I think she is kicking just as much ass ever, and has some of her best work in years right here on MDNA. Not counting the flaw-free pop masterpiece Confessions, this is Madonna's strongest work in a decade, and also her most varied. There is something here for every type of fan of the Queen of Pop. While this may not make for the most enjoyable whole album listening experience, it DOES warrant respect for the incredible music that Madge is still producing.

Donkeyboy - Silver Moon

Now this is an exciting one. A Norwegian pop band that doesn't seem to know how to make a pop song that isn't wildly infectious and polished. Even better they help fulfill my never ending quest for quality male pop music. I could pick a stand-out track, or I could point out that every single song on this album is a sleek masterpiece. Check this one out...nice to be reminded that dance pop doesn't have to be inane and childish.

Gotye - Making Mirrors

Gotye and fun. are the 2 break out acts of 2012 so far with monstrously popular singles that refuse to release their iron grip on the top of the charts. However, while fun. was the band I was more excited for (their lead singer used to sing for one of my favorite bands, The Format), Gotye's album ended up being refreshingly superior. Joyful and youthful, this is a massive pop record. I am crossing my fingers that any follow up singles help continue Gotye's success.

Wolf Gang - Suego Faults

So remember when the entire world was obsessed with The Shins because they made exuberant and relatable pop music? And remember how since then their music has continued to grow more inaccessible and even a bit maudlin? Well mourn no more, because Wolf Gang is like The Shins on crack. Huge pop rock songs surrounded by inescapable melodies and catchy instrumentation make up this near-perfect album. I have come back to this one over and over the last few months, and don't think that will stop anytime this year.

Tuesday, April 10, 2012

My Relationship With Madonna


Here's the thing: I am a Madonna stan. My relationship with her as a musician has been long and complicated. I remember loving her as a kid, replaying my casette single of "Take A Bow" and stealing my sisters' Madonna albums to listen to. Obviously, as a little boy, Madonna was not the look. Especially where I lived, it was either hard rock or rappers for guys my age. That was all it was okay to listen to. Not that I wasn't already being called a faggot by the 6th grade repeatedly...but I had wormed my way into the popular guys' group anyway by being just different enough to be interesting and being relatively okay at sports, and I certainly wasn't going to give up that victory by singing Like A Prayer in the halls. Especially not in a Catholic school.

But I still remember making sure I was in my room every night as a 13 year old in case Frozen came on the radio. It was my favorite song for years. What was shitty was that unlike Britney, Christina and JLo...I couldn't even act like I watched Madonna's videos because she was "hot." Even then, Madonna was getting a bit old. Even then she was having one unlikely comeback after another, and was being deemed irrelevant for the younger, hipper pop princesses. Even then, every triumph was asserted as a last hurrah.


Still, I kept with her. It didn't matter that I had to like her clandestinely. Being shocked and excited watching her "Bedtime Stories" era. Having Evita captivate me as the first musical I truly loved. I would do my homework while listening to "Ray Of Light" on repeat. I would play video games to "Music." I tried and tried but lost a little bit of touch with her during her radical "American Life" days but fell in love all over again when "Confessions On A Dance Floor" was released. Of course, by then I had come out as gay and it was not only okay to like Madonna...it seemed expected!

And she certainly made it pretty easy, didn't she? Surviving scandal after scandal, only to come out of the end even stronger. Outliving and outdoing all of her competitors of the past. From Cyndi Lauper to Debbie Gibson, Michael Jackson to Janet Jackson, Mariah Carey to Christina Aguilera, Paula Abdul to Britney Spears. She has remained either more relevant or more successful than every pop star in her way. It doesn't really matter that Michael was more successful at one point or that Whitney was more talented or that Britney had more initial success...because in the end Madonna is the only one who has truly endured.

Reaching records that legends like Elvis, ABBA, Barbra Streisand, and The Beatles have set, and continuing to pass them, Madonna's sales and records broken are almost unparalleled. She has had arguably the biggest pop culture presence of any female in modern history. And all of this while being wildly controversial and risky in ways that have ended others' careers. It's hard not to root for a survivor.


So, what has happened? Even as I slowly started to accept that as an aging dance artist with a history of subversive behavior and shock tactics that the mainstream may lose touch with her a bit, I just thought it was expected that as long as she continued to churn out strong dance music that nostalgic females, gay men and dance enthusiasts of the younger generations would continue to respect and enjoy Madonna. Every new generation of pop stars certainly do. Justin Timberlake, Kanye West, Britney Spears, Nicki Minaj...just a short list of those who have worked with Madonna and raved about what an experience it was. Beyonce, Lady GaGa and other pop queens have all openly talked about how Madonna's career and music helped shape the artist they are.

So, as we go forward into Madonna's 12th studio album, "MDNA"...I feel disheartened by the amount of disdain and apathy when it comes to our Queen of Pop. When there was widespread backlash and critical pans for "Hard Candy"...I could at least understand it. The urban-pop-minx image of that album never felt truly authentic. Her reliance on past-their-moment producers Timbaland and Pharell for the sound and her work with Justin Timberlake and Kanye West for the cool factor didn't just feel inappropriate...it felt dated. While I maintain that there are more than a few stellar moments on that album, I could at least sympathize with the haters.


But here is Madonna not only returning to the dance floor the way she always has, but bringing of-the-moment and classic collaborators together. Brilliantly referencing old work of hers, while pushing farther into new sounds than she has in years. Creating a diverse but cohesive work of dance music...something that she does best. At the core of all of her reinventions and stunts, it has always been dance music. Dance music that sounds like the current trends but with that special Madonna touch. Sometimes it set new trends...other times it simply set her apart. Some of her best work hasn't been groundbreaking..but it has been consistent.

What's wild is what the detractors have thrown at her. Let's examine some of the more popular ones, hmm? Some say she is too old to be dancing and making the kind of music she does, simply because their is no convention for a female pop star to make it this far. As if at the age of 40 one must release the desire to have fun and dance be heard. Why should she submit to age limits when she hasn't responded to any of the others such as sexual limitations, religious reverence, or political discourse? Others claim that she is copying GaGa and Britney to stay relevant, missing the fact that all major artists draw from other artists' sounds and inspiration, especially in the modern age when new music trends are available at inception via all of the many internet media tools. There are few major artists in the world that aren't using dance music to a degree...why should Madonna be the exception, especially when dance is always the world she has inhabited? And I won't even begin to address the tired and often petty commentary on her personal life or attitude, especially when her contemporaries are so rarely questioned for worse behavior.



However...in the end Madonna is simply a pop singer. Sure, she has swelled to more than that in culture, but she is just an entertainer. If you don't like her music, then fine. Let's agree to disagree. But so many criticisms seem to lose sight of what makes Madonna the artist that she is. What has let her endure and appeal to so many generations and in so many guises. Which is that Madonna, more than any other pop star, is the most relatable.

Madonna is and has always been a contradiction. She is the Queen of Pop, and yet she is one of the most openly humane pop stars we have. She is deeply religious but a Church-condemned harlot. She has a hardened public personality but advocates for love and world peace in her performances. She is widely beloved, but also widely despised. Some say she is everything a woman shouldn't be...others say she is one of the most important feminist icons in history. And for me she has been a mostly silent but indispensable gay icon.

Madonna has endlessly winked in and out of mainstream opinion, struggling to find her place in the world while simultaneously battling herself. She loves and dances and succeeds and fails just like everyone...if on a grander scale. The gay community has always gravitated towards misunderstood underdogs, especially those with a knack for surviving. Much like the gays, Madonna has been continuously kicked down and told to change and conform...and each time she has refused and gone on to fight for what she is and the things she believes in. Where so many gay icons have failed to continue to win against the public or their own demons...how can we not continue to champion Madonna for her own determination to succeed and be heard?


At any given moment of Madonna's career, she can be found on the dancefloor with such fervor it seems like a life or death matter. The next she might lamenting her failures in love and life. Because she doesn't have a nailed down persona...she is ultimately not just the most interesting of pop stars, but also the most relatable. A chameleon not just in look and sound, but also in who she is at the core. Sure, other pop stars could be clinging to their rosary and preaching mysticism the next...but how many can have true conviction behind their actions? How many others can so completely reflect the struggles and changes we all go through in our lives?

Madonna is not a stage alter ego. She is not a performance piece. She is not a fad. She is not an industry puppet. There isn't one aspect of her music that would end her the way Whitney Houston's unfortunate vocal deterioration or Britney's diminished dancing abilities have. Madonna is little more than an American girl with a little bit of talent, a knack for working hard, and a lot of opinions. But I dare any of you to find someone with more creativity, strength, or sincerity. The sooner the public remembers what makes the Material Girl special, the sooner they can dismiss their objections and join her on the dancefloor with the rest of us.

Wednesday, February 29, 2012

Leap Day Double Sized Download Pack!


Since I've been neglecting both this and the Real Housewives blog, I decided to kick off my return with an extra full download pack for the end of February and in honor of Leap Day!! 32 of my favorite tracks from the New Year...all of them being played to death by me. A few of the more obvious ones (such as Madonna's singles) were left out because...if you don't have them then you can go straight to hell anyway.

That should get you caught up as I move into March returning to blogging! The tracklist is below...since no one will keep every song, I didn't bother putting them in any order. Leggo!

Best of 2012 So Far Tracklist

M.I.A. - Bad Girls
Carrie Underwood - Good Girl
Jennifer Hudson - I Will Always Love You (Live At Grammy's)
Cassie - King Of Hearts
Goldfrapp - Melancholy Sky
Darin - Nobody Knows
Katy Perry - Part of Me
Rita Ora - Party & Bullshit
Saint Etienne - Tonight
Kris Allen - Vision of Love (dMac Edit)
Sato Goldschlag - Mr. Mister  ft Wynter Gordon
Tyga - Muthafucka Up ft Nicki Minaj
Queen of Hearts - Moment in Love
Chiddy Bang - Mind Your Manners ft Icona Pop
Rihanna - Birthdya Cake Remix ft Chris Brown
Melanie Fiona - Change the Record ft B.O.B.
Coldplay - Charlie Brown (Dave Aude Remix)
Usher - Climax
Bright Light Bright Light - Disco Moment (ft Sound of Arrows)
Estelle - Do My Thing ft Janelle Monae
Gorillaz, Andre 3000 & James Murphy - DoYathing
Alexandra Burke - Elephant
Diplo - Express Yourself
Zebra Katz - Ima Read ft Njena Reddd Foxxx
Manufactured Superstars - Drunk Text ft Paris Hilton
Nicki Minaj - Marilyn Monroe
Scissor Sisters - Shady Love
Simon Curtis - Starlight
Nicki Minaj - Starships
Chris Brown - Turn Up The Music ft Rihanna
Jedward - Waterline
Busta Rhymes - Why Stop Now Remix ft. Chris Brown, Missy Elliot & Lil Wayne


Tuesday, January 24, 2012

Kylie Minogue Celebrates 25 Years In The Music Business


As many of you may be aware, Kylie Minogue is my favorite pop star. Sure Madonna is the reigning Queen (now and forever) and Beyonce has my wig permanently hanging in her dressing room...but Mz Minogue is the embodiment of everything I love about pop music. Her output has been consistently fun, energetic, and euphoric dance music since Day 1, and always with a great level of talent and warmth behind it.

And 25 years, amirite? That is QUITE the accomplishment. Kylie is one of the few pop stars alive who can give Madonna a run for her money in terms of longevity, success, and worldwide critical and commercial success. Of course, Kylie never quite made it in the USA, but lord knows us gays are still trying! And this year, despite not receiving a new album, the Empress of Pop has a few things planned for #K25...and so do her fans!

First up is a breathtaking look back on Kylie's videography. While I would say visuals have never been her strong suit, watching this career retrospective shows just how determined she has always been to give us spectacular dance music. Catch it below:


Then, of course, we have the rumors that Kylie will be going on an anti-tour of sorts this year focusing on rarities and stripped down versions of hits as well as the confirmation that she has been recording orchestral reworkings of these hits. With Kylie's voice stronger than ever these days, I am ecstatic to hear these versions. Today she gave us the first teaser of these recordings:


Spectacular, right?! I for one am coming out of my skin at the thought of little Kylie surprises peppering a year that will also see releases from Mariah Carey, Christina Aguilera and Madonna. And I thought last year was packed with big releases! Finally, as my own personal celebration of Kylie's 25th year, I have put together a playlist for you all to listen to below of my 25 favorite songs of hers. This is, of course, a subjective list and is obviously a little bit heavier on her post-2000 recordings as that is when I became aware of her. Also a note that it is a bit unfair that this playlist is made up 90% of dance songs when she has so much more to give...but I am a club queen and y'all will just have to live with that!

25 Years of Kylie Minogue

1. All the Lovers (Aphrodite)
2. Get Outta My Way (Aphrodite)
3. Aphrodite (Aphrodite)
4. Slow (Body Language)
5. Red Blooded Woman (Body Language)
6. Can't Get You Out of My Head (Fever)
7. Love At First Sight (Fever)
8. Fever (Fever)
9. Come Into My World (Fever)
10. Confide In Me (Kylie Minogue)
11. I Should Be So Lucky (Kylie)
12. I Believe In You (Ultimate Kylie)
13. On A Night Like This (Light Years)
14. So Now Goodbye (Light Years)
15. Please Stay (Light Years)
16. Your Disco Needs You (Light Years)
17. Spinning Around (Light Years)
18. Better the Devil You Know (Rhythm of Love)
19. Like A Drug (X)
20. In My Arms (X)
21. Speakerphone (X)
22. The One (X)
23. Wow (X)
24. White Diamond (X)
25. B.P.M. (Unreleased)


Viva La Minogue!



Tuesday, December 6, 2011

Red Dlicious' Best of November!


Red Dlicious' Best of November Tracklisting!

1) Azealia Banks - 212
2) Drake - Take Care ft Rihanna
3) T.I. - Pyro
4) Dominique Young Unique - Shake My Ass
5) Cher Lloyd - Want U Back
6) One Direction - Tell Me A Lie
7) Youngblood - Blame It On Me
8) The Saturdays - Faster
9) Madonna - Give Me All Your Love (demo)
10) Mylene Farmer - Du Temps
11) Penguin Prison - Fair Warning
12) Rihanna - Where Have You Been
13) Katy Perry - The One That Got Away (R3hab Radio Edit)
14) Sound of Arrows - Wonders
15) Little Boots - Shake
16) Lady GaGa - Bloody Mary (The Horrors Remix)
17) Kelly Clarkson - I Know You Won't
18) Fun - We Are Young ft. Janelle Monae
19) Madonna - Masterpiece
20) Sound of Arrows - There Is Still Hope


Tuesday, November 15, 2011

Album Review: Sound Of Arrows - Voyage

Sounds of Arrows - Voyage

There are certain acts in music that come out of nowhere and begin creating exciting and beautiful and instantly classic music. Of course, these are rarely the acts that get the attention they deserve, because let’s be honest mainstream music is rarely about the quality of the product. There are bands such as Sigur Ros, Royksopp, and Explosions in the Sky who are able to create immense and gorgeous soundscapes that transport the listener far, far away. There are pop acts like Robyn, Hurts, and Erik Hassle who create catchy tunes without succumbing to the mindless formula many pop artists do these days. There are even some acts who can achieve all of this and have been for years (Pet Shop Boys come to mind). And now, somewhere in between all of this...is Sound of Arrows.

A Swedish duo (obviously), consisting of Oskar Gullstrand and Stefan Storm, slowly garnered buzz after being selected as an official remix DJ for Lady GaGa’s Alejandro, a sunny rework that outdid the already amazing original. It was obvious they were a force to be reckoned with in terms of production, but it wasn’t until their debut single, Nova, that it became equally clear that they were very much their own artists as well. Taking their time to work off of this buzz and to make a strong debut statement, they took close to a year to release Voyage. I had personally kept only a marginal level of interest until the album was released, but one listen told me all I needed to know about this group.


Voyage is a true album in the way that very few albums are anymore, especially in the pop genre. By this I mean that it is one cohesive statement, masterfully pulling different sounds into one near perfect album. From the first listen I knew that this was an automatic contender for album of the year (and if you have seen the way I gush about Beyonce’s 4 album...you know this is a big statement.) On paper it almost seems like too much. Monstrous orchestral arrangements, heavenly vocals that soar through the music but never overtake it, and sparkling synths that keep the near-classical composition current and exciting. Heavenly gems are plentiful on Voyage, with a couple of the main highlights being the shimmering Longest Ever Dream and whimsical Magic.

What really convinced me of their immense talent, however, is the near 8-minute epic, There Is Still Hope. It starts out with a 2 minute instrumental build-up before breaking into a breathtaking arrangement of vocals that lasts for another 6 minutes. And yet it is such a pressing, gorgeous song that 8 minutes somehow seems way too short. As the swirling synths give  way to the chanting “You’ll come back to me! You’ll come back to me!” I am always hoping it will somehow last longer on each listen. It very much reminds me of post-rock veterans Godspeed You! Black Emperor with their 20 minute masterpieces as There Is Still Hope could go on for much longer and still feel like a perfect song. It all comes down to Sound of Arrows attention to song composition, pop sensibility, and strong musicianship. And it is for that reason that I am positive that this is not the last brilliant piece of work that they will give us.

While Voyage may lose to Bey for my album of the year title (She is my Queen, after all)...Sound of Arrows have done what very few acts in pop, rock, electronic or any other genre are able to: they created a classic debut that made good on all of the previous promise and set themselves up to become trend-setters in the genre. I am already excited to see how they will move forward with their own music, and if they will continue to remix/produce for other artists (Robyn get in on them IMMEDIATELY). Whatever their next move is...they have won a fan in me.

Monday, November 14, 2011

Kelly Clarkson Slays Any and All Live Performances


Sooo...remember a few weeks back when I posted my review of the legendary original American Idol, Kelly Clarkson's new album? And remember how it wasn't the best of reviews because I felt like it showed none of the growth, both vocally and personally, that I know Kelegend had gone through? And how I pointed out that if they had just incorporated more of her live vocals and instrumentation that this album could have been worlds better than anything your faves could ever deliver?

WELL THIS IS PROOF RIGHT FUCKING HERE!!!

On the highly anticipated Unplugged concert of Kelly's on VH1, she covered equally flawless fellow Idol, Carrie Underwood's "I Know You Won't." Now, while I have always enjoyed this song, it was never a stand-out to me. Clearly it was just in the wrong hands! On this sneak-peak of the concert, we get to watch the full performance...and it is almost other worldly it is so good. I would easily put this in Kelly's top 5 best live performances, of which there are many many good ones. She puts soul and pain into every syllable of the song, cooing delicately one second and belting with angst the next. The whole time remaining pitch-perfect and just completely flaw free.

It is the curse of the talented pop star that led me to disapprove of her latest outing. Because I knew she still had this in her, and couldn't, and still can't understand why we couldn't get this. Also, her live Smoakstack EP similarly outlines how the producers her label has working with her just don't know how to handle this angel's voice. So, if you too felt slightly let down by Stronger as an album...look no further than this performance to reassure you that Kelly Fucking Clarkson is still one of the best vocalists our generation can boast as our own. Watch below. And then keep watching. And never stop.




Album Review: Rihanna - Talk That Talk

Rihanna - Talk That Talk

I was going to wait until the Deluxe version had leaked or maybe the release date...but I think I need to get some stuff about this album off of my chest, so I am going to go ahead and do my review of the standard edition now. I will probably update the review and overall rating once the deluxe tracks leak.

So, Rihanna. The reigning bad girl of pop at the moment. The Bajan hit factory. Fashion and sex symbol. Twitter wig snatcher. More than anyone else right now (yes, even more than GaGa), Rihanna is the it-girl of pop music right now. While this may not always equate to the highest of album sales (our girl still doesn’t have a #1 album) or ticket sales (not her strongest suit), Rihanna’s endless hard work has made her a worldwide sensation and a near guaranteed #1 song with every single release. Sure, she may put out singles a little too quickly and an album every single year is getting to be a bit overkill...but for the most part, new Rihanna music is ALWAYS welcome because it is always going to be sexy, catchy, and getting us dancing. So, just as her last album, LOUD, is wrapping up, we now have her new one: Talk That Talk. After initial reviews citing it to be her most cohesive, aurally satisfying, and dirtiest album to date...I was more than a little bit excited. Let’s see if it lives up to the hype!


The album starts off with 2nd single, “You Da One”, a Carribean-fueled dance track that has Rihanna sweetly declaring her love for her man over Europop and dubstep beats. It is a cute enough song, but not quite as catchy right away as we have come to expect from Rihanna. But while this song may not quite have grabbed me the way I expected, all thoughts of it are gone when the truly spectacular “Where Have You Been” begins. One of, if not THE best dance tracks in her discography, this song takes off on a truly huge beat with plenty of synths and stuttering to keep you dancing for hours (anyone wanna put together an extended remix for me? Please? Please?!). This high-energy track flows seamlessly into the lead single, “We Found Love”, which has annoyingly grown on me after my initial claims that it was too generic to be a great track. Not saying I’ve changed my mind...just saying it doesn’t bother me anymore.

From this energetic intro into the album, we get to the title track, the more urban, and truly spectacular, “Talk That Talk.” The one feature on the album by Mr. JiggaMan himself is good and all, but honestly not so sure he adds that much to the song. It is that carefree, smooth delivery of Rihanna’s on the chorus that really perked my ears up. It is one of Rih’s greatest talents to give that cool edge to a song, and it comes out in full force here. This has been the track I have been going back to listen to the most from the album. So far so good, right? Well here is where the album sort of starts losing me.


The much talked about lyric “Suck my cockiness, lick my persuasion” along with the chattering “I love it i love it i love it when you eat it” made Cockiness probably the most anticipated song from the album. And while those little bits are hilarious and amazing...that’s really the only good thing about the song for me. It is the type of song that seems like they had these few great spare parts that they wanted on a song, so they just threw them all together on one track. It is too all over the place and I can never quite get into the groove of the song. This one is a miss for me. And the fact that the criminally cut off “Birthday Cake” manages to surpass “Cockiness” in about a third of the time is quite telling. Equally lack-luster is the semi-inspirational “We All Want Love” ballad. While I actually like the song, it is out of place on the album and is perhaps the type of song that should have gone to more of a powerhouse singer to really bring home. (No shade, I actually think Rih is a great singer. Just saying...)

The rest of the album brings it back a little bit, with the vocally strong “Drunk On Love” and “Farewell” giving Rihanna some time to shine, and the swanky, sexy “Roc Me Out” and “Watch N Learn” takes us back to the sexual nature of the album as a whole. Overall, this is a really fun album and as always I am ecstatic to have new Rihanna to strut around to. But something about it doesn’t quite do it for me. There are some seriously brilliant songs on here, but others were cut short of greatness (LITERALLY for “Birthday Cake”), and others just never quite connect in the way I was hoping they would (“We All Want Love”, “Cockiness”). Granted, with the deluxe tracks taking the place of the stinkers, my opinion of the album might change. But overall...it SEEMS rushed this time around. 


When LOUD came out, it was the perfect connection between Rated R’s “Rude Boy” success and it was the necessary change in image and sound from the dark period Rihanna had gone through. We were happy to be dancing and flirting along with her again. This time...it feels like she should have taken more time and given us something better. Also, let me point out that I am not particularly pleased that almost the entire album is done by 3 or 4 songwriters/producers. Yeah, sure, it makes it more cohesive. But it also makes it less interesting.

While there is no doubt I will be playing this album out, and possibly changing my mind about some of it the way I did about “We Found Love”...for now I am left simply wanting more.

Rating:
3.5/5 Wigs Snatched

Where Are The Male Pop Stars? Pt. 3

OK, kids, here is the final installment of my male pop star feature, this time including the vocal and rock/pop artists. This has been really fun for me to write and gotten me back into some of the men I have been neglecting. I hope some of you found some new male pop artists to support, and I hope more will be on the scene soon. Enjoy!

Rock/Pop

Note:There is a common misconception in the music industry today.. An artist singing a song on a stage: pop artist. A singer performing with a band on stage: rock band. Further muddling everything is the overused term: indie rock. What people fail to recognize is that before the last 20-30 years...all pop music was done via live instruments. Bands such as Fall Out Boy or Maroon 5 are not rock bands at all...they are pop bands. They use elements of rock in their pop music...but so do Pink and Kelly Clarkson. So, here are a few of my favorite pop bands out right now sporting a male singer.

Coldplay

Arguably the biggest “rock” band of this generation in terms of commercial success, Coldplay made an almost instant splash with their debut album in 2000 and have been veritable hit machines from that point. Massive songs such as “The Scientist”, “Viva La Vida” and “Yellow” made them a household name, but it has been their continued pop sensibility and strong live performances that have kept them around. What I personally love about the band is that they have managed the difficult feat of constantly evolving and changing their approach to music while maintaining their sound. It has gone from simple piano ballads to huge arena rock anthems and now foraying into dance music...but always remaining Coldplay. Not that it is possible that you haven’t listened before...but maybe now is the time to revisit the reasons we all fell in love with them to begin with.

Recommended Listening: The Scientist, Paradise, Fix You

Adam Lambert

OK, not a band, and yes arguably not even rock. But I think that he at least has something of a rock sensibility to many of his songs, much the same as the writer of his biggest song Whataya Want From Me: Pink. The frequently controversial and always talented Adam Lambert may have lost the title of American Idol to Kris Allen but it isn't difficult to tell which has been more successful, both in the pop culture sense as well as commercial. Adam is a boy who can blow your fave's vocals out of the water. Sure, he has a little bit of trouble showing restraint...but many great singers have the same problem (Looking at you, Strainguilera). While his debut wasn't quite the smash I think we were looking for, there were some serious pop gems on there and I have faith that his follow-up will be his true blast-off moment. Let's get Glambert.

Recommended Listening: For Your Entertainment, Whataya Want From Me, Strut

My Chemical Romance

The only band of the old emo-pop-punk era that, in my opinion, found its way out of those murky waters and into mainstream success, and even more found a way to stay there. Back in those days, it was always hard to tell who was my favorite of the bands and who would continue to do well because it was a very same-sounding genre. However, My Chemical Romance slowly built their sound to be bigger, more interesting, and much more catchy than the rest of the bands. And as they slowly dropped (even the massive Fall Out Boy is now gone), My Chemical Romance took their time and have created near classics in the genre. While their sound has gotten progressively more rock-inspired, their pop sensibility has remained and they always leave us with catchy tunes to bop around to in our cars. So while I will always love that era of music for nostalgic purposes, it is My Chemical Romance that I will continue to look forward to putting out new music.
Recommended Listening: Welcome to the Black Parade, Famous Last Words, The Only Hope for Me Is You
Vocal

Bruno Mars

Bruno is an artist that has had a little bit more controversy to him than I understand. Perhaps he led with a few too many schmaltzy love songs. Perhaps he didn't quite deliver on the promise of his debut EP when he released his follow-up debut album. But in my mind, there is no one who is playing the music game better than him right now. Exceptional vocals, one of the strongest songwriters in the industry, and let's not forget his production team The Smeezingtons who have produced a set of knock-out hits. And have you seen the kid perform? For me there is no doubt that Bruno is one of the best overall pop artists we have...the question will be if the public continues to believe the same thing.

Recommended Listening: Talking to the Moon, Runaway, Today My Life Begins

Shayne Ward

I find it difficult to talk about Shayne. He is almost certainly the most talented, attractive, and nicest guy on this list. His X-Factor performances were nothing but sublime, and some of his recordings have made good on that promise. But much of it has been the kind of muddled, overdone pop music that someone with much less talent and initial fanbase would put out. The public agrees. He has been dropped from his label after never finding the success they desired, both locally and internationally. I hear he has a new label...perhaps they will know how to utilize him and his talents more effectively.

Recommended Listening: Somewhere Over the Rainbow, Breathless, Melt the Snow

Erik Hassle
One of my absolute favorite finds in the last couple years is Swedish singer-songwriter Erik Hassle. A beautiful, soulful voice and a set of songs that refuse to have a flaw...each and every moment of an Erik Hassle album or EP have left me craving more. Recently featured on a John Dahlback dance track...Erik is the guy on this list that I want most to find some wider success because I have nothing but faith that he could rise to the occasion. Really the only other thing I can say about him is Go. Go download his music. Go do it right now. Go. Go. Go.
Recommended Listening: Love Me To Pieces, Don’t Bring Flowers, Are You Leaving?

Friday, November 11, 2011

Where Are the Male Pop Stars? Pt. 2

And we're back! Yesterday I covered some of the shining male stars in the R&Pop and Electro genres, and today I am going to tackle the standard Pop artists as well as those who focus on SynthPop. Let's just dive right in, shall we?

Pop

Will Young

Now Will is someone I had never paid much attention to before this year. The original winner of the now ever-present singing competitions, Will seemed to be a UK singer of the past and not someone I should be looking into. BOY was I wrong! With the release of his album Echoes and its lead single Jealousy this year, I have become so insanely hooked. Will's music isn't exactly something to light the dancefloor on fire. In fact, it is one of my favorite laying-in-bed albums of the moment. But that is because the music is beautiful, the lyrics are smart and often touching, and Will's voice is so smooth. Put it together and you have one of the best releases of the year, and my favorite male pop singer of the moment. Oh, and did I mention that he is gay?

Recommended Listening: Jealousy, Come On, Outsider

Joe McElderry

UK X-Factor winner Joe McElderry very much surprised me. I thought him to be sort of the UK David Archuleta when I first heard him on the show. Cute, definitely. Talented, ohh yes. A star...not so much. BUT...then his album came out and it was a high-energy, fabulous affair. Borrowing vocal stylings from the likes of Jake Shears, Joe showed that he could lead the charge on a dancefloor igniter just as easily as on a cheesy ballad. While his career has suffered similar fates as many of his X-Factor comrades...I have high hopes for this boy, and hope he brings us another set of music sooner rather than later. Oh and FYI...I did not mention it...but he is gay.

Recommended Listening: Ambitions, Fahrenheit


Justin Timberlake

I almost didn’t do it. I almost didn’t put him on here. He hasn’t released an album in years, and with his forays into cinema, it doesn’t appear he is in even the slightest of rushes to put out another. BUT...as far as male pop stars of this generation goes, Justin is arguably the biggest. Everything he touches turns to gold, his fans jump at the slightest mention of him being on a track, and the boy can seriously sing and dance. While he may not be part of the current pop landscape...leaving him out of the game would be a mistake. All the same...I just wish he would get on with it. Oh, and did I mention that sadly he is NOT gay?

Recommended Listening: Cry Me A River, SexyBack

Synth-Pop

Darren Hayes

Now, my US readers probably won't recognize this name, but here is one most of them SHOULD recognize: Savage Garden. Remember them? Yeah, me too. I have endless fond memories of Savage Garden’s music. Apparently after they split, the lead singer Darren Hayes went ahead and created quite a solo pop career for himself abroad. All of his music has been extraordinary, and his fans are loyal and proud of the spectrum of work Hayes has put out. This year with his new album, he has won another fan in me. The best way for me to describe it would be ambient-pop. Hayes has the strong and high voice (sometimes wandering into being a bit whiney) that delivers strong songs on top of dreamy productions. Definitely one of the long-term career inspirations that many of the men on this list could learn a thing or two from.

Recommended Listening: Black Out the Sun

Hurts

With their debut album last year, Hurts set the Eurosynthpop (not a thing, made it up) genre on its ear. Early buzz off of their incredibly strong lead singles seemed to set the two boys up for failure. So what did they do? Produced an album with nothing but expert craftsmanship, a cohesive sound, and one helluva feature for their debut (once again..uhmm..KYLIE MINOGUE?!). Yes, Hurts made almost every pop publication’s Best Of... lists for 2010, and deservedly so. Their music sounds as fresh today as it did last year...and I have a good feeling that classic pop music is exactly what we can expect from the rest of their career as well.

Recommended Listening: Stay, Blood Tears & Gold, Devotion

Sound of Arrows

I have to admit that I didn’t pay attention to this duo in the months leading up to their debut album this month. It all seemed very pretty and nice, but nothing I could really hold on to single wise. Then the buzz for the album began generating like no other album I had seen this year. But still I decided to wait until it came out to listen to their music again. And man...am I happy I paid attention to the buzz this time around. Their album is possibly the best of 2011. SoA have achieved a level of orchestral synthpop that I have rarely heard, and even more rarely seen it be executed so masterfully. They have made a classic album of this era, and will be the electronic album to beat this year without a doubt.

Recommended Listening: Nova, Longest Ever Dream, There Is Still Hope


That's all for now, folks! Check back on Monday for the final installment where I cover Vocal and Rock/Pop male artists! I hope you find some goodies in my suggestions!